Canon RF 24-105mm f/4 L IS USM review

This surprisingly sharp kit lens punches well above its aperture and pairs perfectly with the Canon EOS R

Canon RF 24-105mm f/4L IS USM

Digital Camera World Verdict

While it's a tad pricey for a zoom lens, the RF 24-105mm f/4L IS USM is a great performer that pairs perfectly with the EOS R. It offers the stabilisation (five stops of it) that the body lacks and the new Control ring is a revelation. The lens is relatively compact and lightweight, offers impressive sharpness and is weather sealed – in all, a great complement to Canon's new mirrorless system.

Pros

  • +

    Five stops of image stabilisation

  • +

    Compact and lightweight

  • +

    Customisable control ring

Cons

  • -

    Expensive for a zoom lens

  • -

    Minor barrelling and pincushioning

  • -

    Very minor fringing

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The Canon RF 24-105mm f/4L IS USM is a kit lens specifically designed to fit the new mirrorless Canon EOS R and EOS RP full-frame mirrorless cameras.

For many people, unless they've got a couple of grand to spend on the RF 50mm f/1.2, this lens will be their first introduction to Canon's vision of the mirrorless future.  

Don’t be thrown off by its kit status or the moderate f/4 aperture, though; the RF 24-105mm f/4L IS USM definitively earns its red ring with impressive sharpness and responsive autofocus, combined with a focal range to suit most scenarios. 

(Image credit: Future)

Compensating for the EOS R’s lack of in-body image stabilisation, the RF 24-105mm f/4L IS USM offers five stops of in-lens stabilisation, which comes in very handy given the reach and smaller aperture. 

The lens performed well in our lab testing, proving impressively sharp at all focal lengths and staying so up to f/11. The new Nikon Z 24-70mm  is the lens to beat for centre sharpness, but this comes close for edge sharpness. 

Fringing at either end of the focal range is apparent in the frame edges, but is by no means distracting. Stick to more middling focal lengths and aberrations are well-controlled, especially so at 70mm.

We analyse lens distortion with in-camera correction disabled, where consequently the RF 24-105mm f/4L IS USM exhibits minor barrel distortion at 24mm, transitioning to a similar degree of pincushion at 50mm and beyond.

Like the RF 50mm f/1.2 it boasts weather sealing, cementing this as an all-purpose performer that’s an ideal complement to the body. 

Control ring

The new Control ring is a signature feature of every Canon RF lens, offering a new degree of customisation. It can be programmed to control ISO, aperture, shutter or white balance. If you're worried about errantly turning the wrong ring, it can be set to only adjust these settings when you depress the Meter button. 

Videographers were excited about the potential of assigning the Control ring to change aperture, giving them fingertip control akin to traditional cine lenses. Unfortunately, like the Canon RF 50mm f/1.2L the ring can't be de-clicked. 

While some were concerned that adding a third ring to the lens barrel would complicate use, Canon has thoughtfully designed the barrel to make every input feel distinct. The zoom ring is immediately behind manual focus, but is tapered so that your fingertips don't confuse the two. And in addition to sitting at the front of the lens, the Control ring has diamond-shaped tread so that you can't mistake it for anything else.

Sample images

An image shot on the Canon EOS R using the Canon RF 24-105mm f/4L IS USM lens

Shot with Canon EOS R with Canon RF 24-105mm f/4 L IS USM 1/50 sec at f/4, ISO 6400

Shot with Canon EOS R with Canon RF 24-105mm f/4 L IS USM 1/50 sec at f/4, ISO 6400

Shot with Canon EOS R with Canon RF 24-105mm f/4 L IS USM 1/50 sec at f/5.6, ISO 160

An image shot on the Canon EOS R using the Canon RF 24-105mm f/4L IS USM lens

Lab tests

Sharpness

Even wide open the RF 24-105mm is impressively sharp at all focal lengths and stays so up to f/11. The new Nikon Z 24-70mm is still the lens to beat for centre sharpness, but the Canon comes close for edge sharpness, despite its larger focal range.

Fringing
Short 0.05
• Long 0.1

Fringing at either end of the focal range is apparent at the edge of frame, but is by no means distracting. Stick to more middling focal lengths and abberations are well controlled, and especially so at 70mm.

Distortion
• Short -1.94
• Long 1.94

We analyse lens distortion with all in-camera correction disabled to fully expose optical weaknesses. Consequently the lens does exhibit minor barrel distortion at 24mm, transitioning quickly to a similar degree of pincushion pinching at 50mm and beyond.

Specifications

• Full-frame compatible: Yes
• Elements/groups: 18/14
• Minimum focus distance: 0.45m
• Manual focus override: Yes
• Focus limit switches: No
• Internal focus: No
• Filter size: 77mm
• Iris blades: 9
• Weather seals: Yes
• Supplied accessories: Hood, soft pouch
• Dimensions: 83.5 x 107.3mm
• Weight: 700g

Verdict

(Image credit: Future)

Compact and relatively lightweight, this lens is sharp across the board and its autofocus doesn’t let you down. Despite its designation as a kit lens, the RF 24-105mm f/4L IS USM delivers great performance and makes a compelling tag team with the EOS R.

Far from a three-ring circus, the new Control ring is perfectly at home on the barrel and enables you to adjust every aspect of your exposure without taking your eye away from the viewfinder.

It's certainly not cheap for a zoom lens, especially when there are so many existing EF options that work so seamlessly with the new system. That aside, it's an ideal and impressive general-purpose lens that's tailor made for the strengths – as well as the IBIS weakness – of the EOS R body. 

Read more:

Canon RF 28-70mm f/2L USM review
Canon RF 35mm f/1.8 IS Macro STM review
Canon RF 50mm f/1.2L USM review
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James Artaius
Editor

The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus). In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera MagazinePhotoPlus: The Canon MagazineN-Photo: The Nikon MagazineDigital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show. He also serves as a judge for the Red Bull Illume Photo Contest. An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.